In 1962, when we were both young, I spent a good number of hours with Mwai Kibaki in Nairobi, listening to him explain the complexities of Kenya tribal politics. He was an official of the Kenya African National Union (KANU), the party that would lead the colony of Kenya to independence a year later, and I was a Ford Foundation fellow studying the new nations of Africa. I would drop by his office every week or so and, if he was not busy, he would take time to reply to my questions. He was polite, soft-spoken and matter-of-fact, not charismatic at all, and it never dawned on me that he might become president of Kenya some day...

After the Soviet Union collapsed and the Cold War ended in the last decade of the 20th century, American strategists turned their sights on another threat: the potential havoc that might come from a group of smaller countries like North Korea and Iran that the Americans called "rogue states." That name was a wonderful metaphor. It reminded everyone of "rogue elephant," the term that hunters and wildlife experts use for an elephant that breaks from the herd, follows its own rules, and goes on wild rampages. The antics of a rogue elephant sounded just like the threat of a rogue state, especially a rogue state trying to arm itself with nuclear weapons. But the metaphor had one flaw. No one tries to negotiate with rogue elephants. Hunters simply kill them...

For much of the 19th century, scores of French painters, laden with knapsacks and portable easels, trekked through the Forest of Fontainebleau to capture the shifting wonders of nature with their brushes right on the spot. Some came for weekends; some stayed for a lifetime. Pioneers of the new art called photography, laden with even more equipment, made the pilgrimage as well. So did the young Impressionists. Together they all raised the art of landscape to new heights in France. A generous sampling of this work is on display in an exhibition at the National Gallery of Art that celebrates a place rather than a painter. Called "In the Forest of Fontainebleau: Painters and Photographers From Corot to Monet," the show closes June 8 and goes on to the Museum of Fine Arts in Houston in July. The place celebrated is a forest that was once the hunting grounds for the royal chateau in the town of Fontainebleau...

Ancient artifacts secretly kept in a bank vault in the war-torn country, safe from marauding militia, looters and the Taliban, are now on a museum tour for all the world to see. In an act that provoked worldwide outrage, the fundamentalist Taliban rulers of Afghanistan in March 2001 destroyed the monumental statues of Buddha that had been carved into the rock cliffs of Bamiyan 1,600 years ago. The shocking destruction was not an isolated event. As part of the same campaign, the Taliban sent hordes of militants into the Kabul Museum to smash every statue, no matter how small, that depicted a human figure or any other creature... But the museum did not die. Unknown to outsiders, museum director Omara Khan Massoudi and his assistants had packed the finest treasures of the museum during the 1980s and placed them in the vaults of the Central Bank in the presidential palace. "What kept them safe," says Hiebert, "was the code of silence"...