"Arms and the Man," representing George Bernard Shaw’s television debut, seemed a trifle worn when presented on yesterday’s Omnibus, the 26th and last of the season. Yet enough was shown to prove that when the Ford Foundation program returns next fall, it would do well to come back with as much Shavian drama as can be stuffed into 90 minutes sessions. The story of a Serbian soldier who, fleeing for his life, forces his way into a young lady's bedroom in Bulgaria and then effects the usual romantic entanglements seemed well tread by the time it got to the TV set, 60 years after premier performance. And the satire on military tradition lacked the necessary sharpness. But the presentation was arresting, and, since Shaw is never dull, yesterday’s Omnibus exhibited less dead weight than some of the other 25...

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